视频简介
春夏之交，就读中国农业大学的白三梅为完成自己的农村问题调查报告，回到了位于松嫩平原的家乡——前半夜屯。因为土地肥沃得“插根筷子也能发芽”，前半夜屯和美丽富饶的松嫩大平原一起，有着“黑金子”的美誉。本片故事就从白春梅拿DV记录家乡发生的点滴事情开始。 白春梅的爹白大明勤劳而淳朴。女儿三梅很小的时候，三梅妈就英年早逝，白大明一边含辛茹苦地拉扯着三个女儿，支撑着残缺的家；一边还在种地赔本的严峻现实下，毅然承包了全村近三成的土地。时过境迁。十几年后的今天，白大明在中央一号文件的沐浴下，不仅免交所有的农业赋税，还按耕种面积领取国家支付的农业直补款。 白大明占了全村的“便宜”，自然有人眼红。在所有眼红的人中，挑头的就是葛二黑。葛二黑也不是坚持要回自己租给白大明的那几亩地不可，而是希望白大明能提高租金。因为合同未到期，当初租种的土地又倾注了大量的精力和财力，白大明...。作家兼教师艾瑞斯原本在纽约过着安稳而独居的生活，但当她最亲密的朋友兼导师突然去世，并将他心爱的150磅重的大丹犬留给她时，她的生活被彻底打乱了。这只高贵却难以驯服的巨兽——阿波罗，不仅带来了诸多现实问题，比如家具被毁、房东的驱逐通知，还引发了更深层的困扰：它庞大的身影不断提醒艾瑞斯，她的朋友在生前和死后都做出过许多充满问题的选择。然而，随着艾瑞斯与这只狗意外地建立起深厚的情感联系，她也逐渐学会直面自己的过去，接受失去朋友的事实，并重新发现自己内在的创造力。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。
