视频简介
青年女生产队长淑芳关心集体，婆婆李大娘却埋怨她“心眼不够数”，光为集体不为个人。一天，李大娘叫淑芳去锄自留地，淑芳见队里的谷苗有人锄的质量不好，就重新锄了一遍。金贵嫂因锄地不干净，记工员二妞扣了她的工分，她请李大娘向淑芳说情。淑芳坚持原则，大公无私，金贵嫂败兴而归。可是二妞忽然把扣她的工分还给了她，老支书还决定奖励她两分，弄得金贵嫂莫名其妙，她到地里一看，才知道淑芳替她把地又锄了一遍。金贵嫂心中非常惭愧，要把队里奖给她的工分给淑芳，淑芳不要。这时老支书来了，他不了解实情，又把金贵嫂表扬一番，弄得金贵嫂哭笑不得。李大娘听说淑芳没锄自留地，非常生气，扛起锄头下地去了。她到自留地一看，地已锄得干干净净，她以为是儿媳故意和她开玩笑。回到家里一问，才知道是老支书见淑芳整天因公忘私，主动替她锄了自留地。事实教育了李大娘，使她纠正了对媳妇的错误看法。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。
