视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一个持枪女人的儿子在后世界末日的未来被新纳粹冲浪朋克谋杀，他的妈妈为了复仇而追捕他们...。30岁医生徐允在（孔侑饰）被只有18岁的高中生姜京俊(申元浩饰)灵魂附身。因意外灵魂交换的徐允在经四处打听来到昏迷中的姜京俊所在医院，却发现自己的照片出现在医院海报上，原来这家医院就是徐允在之前工作的地方。允在的未婚妻吉多兰（李敏贞饰）因为未婚夫的突然转变也遭遇了前所未有的经历……。
