视频简介
乔奎特独自住在布列塔尼的一个岛上，住在她的大房子里。 在过去的三年里，她每年都为丈夫杰佩托组织惊喜的生日。他从来不来，其他客人也不来... 然而今年，他的孙子卢卡斯和杰佩托的前情妇黛安来了。。在不远的未来，海平面原因不明地急速上升，导致了地表多数都沉入海中。 小时候因为事故而失去一条腿的少年・斑鸠夏生，厌倦了都市的生活，移居到了海边的乡村小镇。曾经身为海洋地质学家的祖母留给他的、就只有船、潜水艇还有债务。 夏生为了取回“失去的未来”，与迷之讨债人凯瑟琳一起，潜海前往据说保存着祖母遗产的海底仓库。 在那里，他遇到了一位沉睡在如同棺材一般装置中不可思议的少女“亚托莉”。她是一位构造精密到与人类别无二致，而又丰富感情的机器人。 从海底被打捞起来的亚托莉如是说到： “我想完成主人留给我的最后的命令。在此之前，我会成为夏生先生的腿！” 在一个逐渐沉入海中的平和小镇，少年和机器人少女的难忘夏日就这么开始了。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。