视频简介
巴里·艾伦必须要为他穿越回过去救下自己的母亲，对时间线造成的连锁反应而负责。与此同时，一个正在崛起的并且知晓“闪点”存在的新转化人正在引领一些人获得力量，从而成为“闪点”中的另一个自己。当一个自称“速度之神”的萨维塔威胁巴里要杀死艾瑞斯·韦斯特时，巴里向众人坦白了“闪点”的存在。凯特琳·斯诺担心自己会成为“冰霜杀手”，西斯科·雷蒙在为“闪点”造成自己亲生哥哥的死亡而责怪巴里，小队开始分崩离析。沃利·韦斯特成为了新的极速者，他开始帮助巴里和朱利安·艾伯特并且加入到帮助凯特琳和对抗萨维塔的任务中，巴里与他的团队不得不与时间赛跑，来阻止那灾难性的预言的发生。。一对年轻夫妇经常拍摄、上传自己探险水下房屋的视频。这次二人前往一个偏远的湖泊，意外发现了深水中一幢奇怪的废弃房屋，而他们的到来唤醒了深宅中的黑暗存在。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。