视频简介
李南梦离奇跌入了“剧本杀”，成为了游戏中的角色“流浪小男孩”并且接到了游戏系统发布的任务：她必须用自己的游戏角色赢得游戏胜利，才能回到现实世界。李南梦必须还原游戏中的案件真相，抓住凶手。求胜心切的李南梦立志赢得游戏，却偏偏在游戏世界中碰到了和前男友模样相同的游戏角色：崔之世。在与崔之世的在一次次惊险遭遇中，她渐渐放下对前男友的芥蒂，与崔之世相知相恋，成为了一对“欢喜冤家”。。因为没钱没背景，越来越悲惨的无业游民崔强。 以总统的降落伞之姿进入大韩民国超特级秘密情报局。 一年来吃喝玩乐为业的‘白手’崔强，向数百处发出了求职信，尝试成为公司职员，然而得到的回答总是一模一样。在那样的漩涡中，弟弟崔善毕业后却进入LK集团工作，成为家中的骄傲。郁闷的崔强放弃了一般企业，而以别人都试图挤上的公务员考试来了个急转弯！ 考试当天在景福宫前的路口救了差点被轿车撞倒的老奶奶。差点撞倒老奶奶的轿车不是别人，正是总统的私家车。解除了总统和老奶奶的撞车事故危机的崔强拒绝了不说出案情的表彰状。意识到他是为了对总统的大义而隐瞒自己善行的帅气青年，并且了解到崔强因为事故而错过了秘密情报局考试的情况， 总统便推荐他进秘密情报局，终于，崔强进入了魂牵梦萦的情报局…。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。
